Harvey Weinstein’s Media Enablers – The New York Times

 In U.S.

“The unfortunate reality of Hollywood is that if someone has money, then they can generally find some kind of audience of people who are interested in working with them,” said Kim Masters, the editor at large at The Hollywood Reporter. This was particularly true of Mr. Weinstein, who, she said, was known for having “the golden touch” that produced “Pulp Fiction” and “Good Will Hunting,” “The King’s Speech” and “Shakespeare in Love.”

Ms. Masters had been chasing the Weinstein story for years. She said she had gotten near “the end zone” once, only to bump up against the ultimate silencer: fear.

“At the last minute, the source withdrew,” she told me.

She said she wanted to believe that times were changing, given the number of women who have put their names to the words that derailed the careers of Bill Cosby, who faced criminal charges that resulted in a mistrial this year, and Bill O’Reilly. But she also wondered aloud whether trouble had finally found Mr. Weinstein because he was no longer the rainmaker and hitmaker he had once been.

“This industry is passionate about causes,” Ms. Masters said, “but when it comes down to doing business, they’re definitely capable of holding their noses.”

With the knowledge that the Times article was heading toward publication, and with word of a similar piece in the works at The New Yorker, Mr. Weinstein assembled an all-star team of crisis-management experts and lawyers that included Lisa Bloom. Ms. Bloom, who said earlier this week that she was working only as an “adviser” to Mr. Weinstein, said she resigned from her role Saturday. She is known for her work representing alleged (and often confirmed) victims of sexual harassment, including those who took on Mr. O’Reilly.

Ms. Bloom shared one reason she may have been sympathetic to Mr. Weinstein on Twitter in April, when she wrote, “My book SUSPICION NATION is being made into a mini-series, produced by Harvey Weinstein and Jay Z!”

Mr. Weinstein has admitted to some inappropriate behavior, and Ms. Bloom has attributed his missteps to his status as a “dinosaur” who is now “learning new ways.”


Minnie Driver and Matt Damon in 1998’s “Good Will Hunting,” a film produced by Mr. Weinstein.

George Kraychyk/Miramax

Certainly, shamefully, there is a long tradition of disgusting harassment of women who try to make it in the movie business. (Jack L. Warner, a founder of Warner Bros. studios, was no saint.)

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